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12 - 14 Jan
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Introduction and Overview
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| W 12 |
Syllabus and Course Policies | Enchanted (Disney, 2007)
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| F 14 |
Workshop: Writing the Weekly Analysis Paper
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|
19 Jan - 11 Feb
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Recognizing Genres and Understanding Genre Criticism |
| W 19 - F 21 |
Identifying Genres | Bordwell and Thompson | Swing Time (RKO, 1935)
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| W 26 - F 28 |
The Genre Film | Warshow | Shane (Paramount, 1953)
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| W 2 Feb - F 4 |
Hollywood and the Genre in Transition | Maltby | The Wild Bunch (Warner Bros.-Seven Arts, 1969)
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| W 9 - F 11 |
Parody, Transformation, and the Ritual View of Genre | Schatz | Blazing Saddles (Warner Bros., 1974)
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| 16 Feb - 4 Mar |
Gendered Genres and the Limits of Genre Criticism
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| W 16 - F 18 |
Melodrama and Ideological Criticism | Klinger | Written on the Wind (Universal, 1957)
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| W 23 - F 25 |
Film Noir and Postwar Masculinity | Neale | Kiss Me Deadly (UA, 1955)
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| W 2 Mar - F 4 |
Genre and Contested Criticism: The Case of the "Woman's Film" | Altman | Mildred Pierce (Warner Bros., 1945) |
| W 9 - F 11 Mar |
SPRING BREAK - NO CLASS |
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16 Mar - 8 Apr
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The Semiotics of Genre
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| W 16 - F 18 |
The Semantic-Syntactic Approach | Moine ch 2 | Severance (Magnolia, 2007)
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| W 23 - F 25 |
Destabilization and Integration: The Social Functions of Genre | Moine ch 3 | Face/Off (Paramount, 1997)
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| W 30 - F 1 Apr |
Intertextuality and Hybridity | Moine ch 4 | Scream (Dimension, 1996)
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| W 6 - F 8 |
Heterogeneity, Transculture, and Globalization | Moine ch 5 | Once Upon a Time in the West (1968; Paramount, 1969)
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| 13 - 29 Apr |
Television Genres - Section Facilitated by Sharon Wight
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| W 13 - F 15 |
The Return of the Evening Soap Opera | Beail | The Gilmore Girls (WB, 2000-07) |
| W 20 - F 22 |
For Wednesday: Reality Television and Participatory Culture | For Wednesday: Magder; Jenkins;
For Friday: LOST and Participatory Culture | Banks and Tankel | Lost (ABC, 2004-10)
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| W 27 - F 29 |
Hybrid Theory and Textual Poaching | Jenkins; Ouellette | Buffy the Vampire Slayer (WB/UPN, 1997-2003) |
| F 6 May |
Scheduled Final Exam Time 1 - 3 PM
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